Page 166 - Bulletin 8 2004
P. 166

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                  Wynne grew up in a home in which all of these activities and influences were unfolding,
                  and in a town scarcely 20 years old. The home itself was in the new suburb of Bellvue East,

                  a few miles from the centre of Johannesburg on the northern side of the Berea ridge, and on
                  the edge of open veld. The home atmosphere would probably have been serious, studious,

                  creative,  and  strongly  spiritual,  and  a  nurturing  environment  for  a  person  with  artistic

                  talents. In 1937, during a return visit she penned a reflection on her early years there:


                        “As a child, on days of dull quiet after rain, I used to listen to the muffled throb
                        of the mines, and standing bare-footed in the wet grass pondered deep wisdom,
                        thinking it the sound of the world going round.”

                  Such thoughts may have been present in many young minds and in her case they point to a

                  curiosity about what lay behind the visible material world. It was a curiosity that remained

                  with her throughout her life and it had a profound influence on her sculpture and painting.


                  Around October 1918, when Wynne was 15 years old, John Quail took up a partnership in

                  the firm of Babbs & Labdon Quantity Surveyors, in Cape Town. The family moved directly
                  to  St. James and stayed at  the Seahurst Hotel  before  moving into a house at  the end of

                  Mentone Road. It was shortly after their arrival that the great tragedy of her life occurred.
                  She and two other children staying at the hotel were stricken with a mysterious illness, from

                  which one died, one was crippled for life, and she was left with a permanently weakened
                  heart. It was thought to be polio or rheumatic fever but it now seems more likely to have

                  been  the  Spanish  Flu  which  paralysed  Cape  Town  at  this  time.  The  family  faced  some

                  major choices: quiet conditions were needed in which to restore her health, and she also
                  needed a place in which to develop her evidently prodigious artistic talents.


                  The first decision taken was to terminate her formal schooling at Rustenburg at the end of

                  1920 without her having completed standard 7. The second decision was to build a home in
                  which she would have her studio and live quietly. That home was built nearby, on land

                  between  Sorrento  and  Mentone  Roads,  and  was  completed  in  1922  and  always  called
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