Page 194 - Bulletin 8 2004
P. 194

191




                  late 1930 for the design of a Garden of Remembrance at George, South Cape, and won First
                  Prize. The George – Knysna Herald stated:



                        …… the design of a talented South African artist, Miss Quail, a  young lady
                        who recently was on a visit to George, was awarded first prize of £5 5/-. Not
                        only a sketch but a model had been sent in and these showed great skill and
                        experience.


                  The Garden was to commemorate George’s fallen in the Great War, and to be situated on a

                  rectangular site at the junction of York and Courtney Streets, in the civic heart of the town
                  overlooked  by  the  old  Drostdy  –  at  that  time  the  Victoria  Hotel  and  today  the  George

                  Museum. It required the formation of a terrace raised about two feet above the surrounding
                  road level, for which tons of earth were brought in. The terrace was bounded by a low stone

                  wall and its extensive surface was then grassed and punctuated by occasional trees; it was

                  entered through four gates, two at the bottom and two at the top, which immediately led the
                  visitor  along  diagonal  paths  that  intersected  at  a  centre-point  where  a  small  pond  was

                  created; but the top gates could also lead the visitor directly to the spiritual heart of the
                  Garden which was a large circular pond, half-set in a higher terrace, and surmounted by a

                  stepped curved wall to whose concave water-facing side were attached plaques bearing the

                  names of the Fallen. From the higher terrace two paths led away to two places of quiet
                  contemplation with seats beneath planted pergolas. (Figs. 4.33 & 4.34).


                  The Garden was opened in 1932 by Prince George, the Duke of Kent, with numerous local

                  dignitaries  in  attendance.  It  was  still  largely  intact  in  the  1960s  but  its  position  at  the

                  junction  of  the  town’s  main  streets  condemned  it  to  eventual  obliteration  through  road
                  widening and traffic circulation measures.


                  By the early  1930s Wynne Quail had  established her  reputation  as  a sculptress  and this

                  resulted in a variety of commissions.
   189   190   191   192   193   194   195   196   197   198   199