Page 212 - Bulletin 8 2004
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                  and relocated in the new hospital extension built during the 1980s.


                                                          Painting


                  Wynne  had  been  painting  for  her  own  satisfaction  since  childhood  and  was  an

                  accomplished water-colourist. She also did some poster-work.


                  One manifestation of this interest was her design of the logo of the Eoan Group in whose
                  activities she had become involved. The Eoan Group was founded in 1933 by Cape Town

                  theosophists  led  by  Helen  Southern-Holt.  They  were  devoted  to  the  uplift  of  coloured
                  children,  particularly  those  living  in  District  Six,  through  the  teaching  of  physical

                  education, dancing and movement, dramatic art, singing, and elocution. There was a strong

                  Kalk Bay connection to the Group via the Adams family of Belmont Road: Marie Adams
                  was the Eoan’s vice-Principal and her brother Edward, who ran his garage at the top of

                  Belmont Road, was the chairman of the Management Committee.


                  Wynne’s logo depicts three figures, reminiscent of some of her sculptures (see Figs. 4.10 &

                  4.14), moving along a path towards truth and enlightenment with the words, ‘Eoan Group -
                  We  Live  to  Serve’,  around  the  circumference.  (Figs.  4.57  &  4.58).  The  Group  is  well

                  established today with its headquarters at the Joseph Stone Auditorium, Athlone.


                  A completely new challenge to her talent as a painter opened with her venture into spirit

                  paintings.  The  spirit  world  was  central  to  her  life  and  work  and  she  had  perceived  the
                  presence of nature spirits around her throughout her life. So, in venturing into this realm

                  she was taking a natural step forward.


                  The spirit paintings for which she is known arose from a meeting in January 1934 with
                  Geoffrey and Jane Hodson, during a voyage from Sri Lanka to Durban. They discovered

                  their common interest in Theosophy and the spirit world. Hodson (Fig. 4.59) was
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