Page 198 - Bulletin 9 2005
P. 198

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                  event for posterity and the resulting picture hangs in the City Hall. (Fig. 4.25) I quote from one
                  critic  who  says  that  he  does  not  “consider  this  painting  ……..  one  of  his  best  efforts.  The

                  battleship is very good, the mood of the morning with dreamy mists woven about the lower
                  slopes of the mountain and Devil’s Peak, too, is good, but the tug in the foreground is not quite

                  right. Perhaps having to paint to order spoiled the mood of the artist.”


                  The “arrival” painting did, however, have one well-known fan, King George VI. The painting,

                  commissioned by a city business, had been bought by the city for 400 guineas and was hanging
                  in the Mayor’s Parlour. The king exclaimed that it would “indeed hang well in the battleship

                  herself” - virtually a Royal Command that it be thus presented - but the Queen saved the day by
                  saying firmly that a “better place was in this lovely Parlour in the Mother City”.



                  He was also commissioned to paint the departure and the same critic comments that here “he
                  has got the ship beautifully and the profile of the mountain and Lion’s Head very well, but the

                  proportions of the two peaks slightly wrong”. (Fig. 4.26) This possible dislike of painting to

                  order  fits  comfortably  into  my  recollection  of  the  old  man,  formed  from  my  own  childhood
                  impressions and the way his children spoke of him. He was very much his own man and very

                  much a man’s man. He would not have been popular with modern-day feminists, but I have a
                  feeling that he would have been behind those who seek to protect the oceans and the coastlines

                  from damage.


                  When the “new” Cape Town Post Office was built, Pilkington was commissioned to paint two

                  of the murals that decorated the Main Hall - I am not certain when he did this work and it may
                  have been before the 1947 commission. Again, it did underline his reputation as one of South

                  Africa’s leading artists.


                  1948 brought with it a further acceptance by the Royal Academy of a painting of Kalk Bay
                  harbour at its bustling best. This was what he left me in his Will and this is what my family
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