Page 163 - Bulletin 13 2009
P. 163

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                  -speaking this was an unusual ‘honour’ and it is hard to imagine him fitting in with the
                  ‘grey’  men  who  controlled  radio  and  TV  on  behalf  of  the  Government  at  this  time.

                  “Dolphin”,  Cedryl  Greenland,  his  first  art  teacher  at  Wynberg  Boys  School  had  the
                  following to say in the Echo of 17 September 1983:




                         Eduard Ladan has stood up for his ideals and convictions for many  years now  –
                  often in the face of criticism from more stereotyped artists.
                         Not once has he created anything but by the dictates of his own original talents. And
                  at last he has been recognized for his own worth – both as an avant garde artist and as an
                  outspoken critic.
                         Art  to  Eduard  is  something  more  than  a  pretty  picture.  It  is  also  a  form  of  self-
                  expression;  and  his  background  of  study  and  achievement,  both  in  Art  and  Sculpture
                  (Academy of Fine Art, The Hague in Holland; Exhibitions in South Africa and abroad) has
                  brought him great pleasure and satisfaction, while for some years he was also Art Critic for
                  the Cape Times and Argus.
                         Now his latest appointment to the Radio and TV Advisory Boards has culminated a
                  life-time of dedication to his greatest interest in life.



                  At some stage during the 80s he met “Zorba”, Anthony Quinn, who was holidaying in the
                  Kalk Bay area. Quinn’s hobby was sculpture and he stated that he found great inspiration in

                  the weather-sculpted rocks that had been gathered and placed in Schoonzicht’s garden over
                  the years. Naturally, Eddie had to be photographed with Quinn and the picture somehow

                  found its way into the local press. (Fig. 3.47).


                  He made the headlines in 1985 when he commented on the state of South Africa, during the

                  time of unrest, in the form of a collage entitled “South Africa Nineteen Eighty-Five”. It
                  comprised  an  ordinary  brown  paper  bag  spiked  with  nails  in  black,  red  and  a  small

                  collection of white. Beneath the packet is a pool of red ‘blood’ in the shape of Africa. It

                  was mounted and suspended in perspex to create an effect of isolation. He entered it in a
                  Durban exhibition that had paper as its theme. He was in the news in 1986 when his death

                  notice appeared in the press. This was in some way related to his on-going spat with the
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